Tuesday, 8 September 2026

Finnabair Autumn 2026 Release - part 1: Moulds

Hello friends,

We are thrilled to show you the newest products designed by Finnabair!! Autumn and winter are the times of the year when we mostly stay indoors and have more time for creative activities. We prepare home decorations for Halloween and Christmas, make gifts for family and friends, create layouts or frames with photos. There is more time for ATC swaps and filling an art journal abandoned in Summertime.

Six new mould sets that have just been released are amazing! They are so versatile. You can use them for wintry projects, Christmas baubles, Halloween home decor, early Spring or Easter projects and many more. "Winter Town" houses could also be used for spooky Halloween projects. "Frosty Gears" can be paired with "Steampunk Express" as well as with "Forest Spirits". The possibilities are endless.

Here they are!!


Mould - Forest Spirits
951559









Mould - Frosty Gears
951566









Mould - Mechanical Robins
951573









Mould - Steampunk Express
951580









Mould - Winter Frames
951603







Mould - Winter Town
951825









Do not forget to visit us tomorrow :) 





Monday, 7 September 2026

2026-2027 Design Team announcement

Dear friends,

Thank you for all the applications you have sent to us after the Design Team call announcement. Everyone's talent has been overwhelming! As each year, the choice was really difficult. Although we would like to invite everyone,  we can only invite five people.

And today, we would like to announce the new Design Team. There are five new souls - I guess you know them all :) 

Finnabair Design Team 2026/27


Coordinator:
Tusia Lech

Designers:
Anja van der Form, Daria Koenig, Kasia Salmanowicz, Lori Woods, Rita Rut, Suchijournalive, Szafranowe Twory, Priss BlaFu, Zoey Scarpelli



We can't wait to start sharing their project with you :)

Tusia & Finnabair


Friday, 28 August 2026

Cosmic Beetle by Szafranowe Twory

I'll share a little secret with you: children's board books are perfect for art journals! That's all thanks to their thick pages, which can handle all kinds of mixed-media experiments!







​So, I upcycled a book like that from my sons, and so far, I’ve managed to decorate the cover using casts from various molds. I was in the mood for a metallic "wow" effect, so I first painted everything with black gesso and then went wild with metallic waxes! These are definitely my favorite creative shenanigans. How do you like the result?


Finnabair products used - all the images linked to the Mixed Media Place online store:


Monday, 24 August 2026

Mixed Media Sign “She Found Herself” by Priss BlaFu

Hello! I’m Priss.

Today I’m sharing an aged industrial-style sign filled with mechanical layers, copper, patina, and grungy details.

The image from the Decoupage Fiber Paper reminded me of an old chemical factory sign. I decided to reinterpret that industrial story through creative alchemy: somewhere between the rust, the layers, and the transformation, she found herself.

I covered the cork area with Decoupage Fiber Paper, then mounted the smaller Missouri Chemical Works sign onto cardboard painted with white gesso to keep the image clean and bright. Although the Soft Matte Gel already protected the paper, I added Clear Gesso to create a more porous surface for the following layers.

I also built a slightly raised frame around the small sign using strips of cardboard covered with Black Gesso and painted with metallic wax. This simple detail added depth and made the sign feel more realistic.

I also layered different mechanical elements beneath the sign to support the focal point and add dimension. Because they had mixed gold, silver, and copper finishes, I first unified them with White Gesso. My original plan was a soft, powdery finish in muted brown tones, but the project soon moved in another direction.

I began with a copper base and layered Blue and Green Patina Effect Pastes over it. At first, I covered too much of the copper, causing the mechanical elements to disappear into the dark background. The solution was to bring back more copper and apply the patina only in selected areas. This created stronger contrast and a more convincing aged-metal effect.

The finish finally came together with Umber, Deep Turquoise, and Carmine Liquid Acrylics. Their translucent color added depth, grime, and variation while allowing the copper and textured patina to remain visible underneath.

I finished the piece with Rich Copper Metallique Wax, tiny brads that mimic old nails, cabochons, and layers of colored splatters. A few tiny white splatters added just enough light, while the bright ephemera beneath the cabochons helped balance the luminous focal image.

This project did not come from following the original plan perfectly. It came from noticing what was not working, adjusting the contrast, and allowing each layer to guide the next decision.


I hope this project inspires you to experiment with copper and patina, embrace changes along the way, and let your materials reveal an unexpected story.

Happy creating! 💙

Priss


Finnabair products used - all the images linked to the Mixed Media Place online store:

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